Pencil on paper, signed and dated (lower right), 26cm x 21cm, (46cm x 39cm framed), £3,250
A truly original artist, Lear spent most of his 70 year career exploring beautifully proportioned male figures. His style is influenced by mid-century artists such as Paul Cadmus and George Tooker, but his originality stems from often placing his figures into fantastical and surrealist settings. He continued working until the end of his long life and was reported to have been preparing another exhibition immediately prior to his death, aged 98. His works are in the permanent collection of the Philadelphia Museum of Art and several other museums.
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Charcoal on paper, signed and dated (lower right), 105cm x 73cm, (109xm 73cm framed), £4,500
A Colombian painter, draughtsman and lithographer, known for his depictions of the male nude, with figures often in highly erotic, if not tortured, poses. He was one of the few Latin American artists of his time to be open about his sexuality, both before and after his relocation to Paris. From 1968 to his untimely death from AIDS in 1995, Caballero lived and worked in Paris. Caballero's pictures are exclusively devoted to the human body. 'In my paintings,' he wrote 'one is dos not know whether the figures are dying or having an orgasm'.
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Pen and ink on paper, signed and dated (lower right), 28cm x 38cm, (42cm x 50cm framed), £3,000
A Colombian painter, draughtsman and lithographer, known for his depictions of the male nude, with figures often in highly erotic, if not tortured, poses. He was one of the few Latin American artists of his time to be open about his sexuality, both before and after his relocation to Paris. From 1968 to his untimely death from AIDS in 1995, Caballero lived and worked in Paris. Caballero's pictures are exclusively devoted to the human body. 'In my paintings,' he wrote 'one is dos not know whether the figures are dying or having an orgasm'.
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Pencil and acrylic on gessoed Arches paper, 57cm x 53cm, (73cm x 69cm framed), £4,500
Born in Newport, south Wales, in 1951, the early part of his career was as a choreographer and stage director. Turning away from theatre in the 90s, to concentrate on painting, he has been praised by critics in The Independent, Modern Painters and Art Review. Simon Callow has called him ‘one of the most individual and complete artists of our time'. Galleries has described his work as ‘reflective, expressive painting of the highest order.’ His work is included in numerous private and public collections, including the National Museum of Wales and the Pallant House Gallery.
This painting is part of a series, in which the artist was inspired by the legend of St Hervé; a blind “boy-saint”, revered in Breton popular mythology, whose dog, his loyal guide, was devoured by a wolf. Paradoxically, the marauding wolf thereafter became Hervé’s new pair of eyes. A detailed explanation of his inspiration can be found HERE
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Watercolour, signed and dated (lower right), 76cm x 56cm, (93cm x 69cm framed), £2,500
Daniel Barkley is known for his nude figurative work alluding to myths, legends and art history, which has been widely exhibited and collected across Canada and the United States for over twenty years. His watercolours have also won top prizes at national competitions, including the Canadian Society of Painters Watercolour’s A.J. Casson Medal 2002 and 2012.
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Watercolour and pencil on paper, 76cm x 51cm, (87cm x 61cm framed), £2,500
Son of Elisabeth Frink and architect Michel Jammet, although slightly better known as a printmaker, Jammet was an highly accomplished artist in his own right.
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Lithograph, signed, titled, dated and initialled 'p.d.s.', 63cm x 47cm (plate size), (87cm x 67cm framed), £1,250 (on sale: £950)
Painter, watercolourist, printer, and fresco painter, Edward Lucie-Smith considers Abate as one of the twenty most representative Italian artists of the last decades of the twentieth century and places him among the leading artists of the international neoclassical movement.
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Charcoal on paper, 69cm x 98cm (79cm x 107cm framed), £5,000
Difficult to categorise in any particular style or movement, his work is steeped in the knowledge of the great traditions of figurative art. An extraordinary draftsmen, his work exudes an inimitable style of its own, full of wondrous people, mythical creatures and performing animals.
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Charcoal on paper, 98cm x 69cm (107cm x 79cm framed), £5,000
Difficult to categorise in any particular style or movement, his work is steeped in the knowledge of the great traditions of figurative art. An extraordinary draftsmen, his work exudes an inimitable style of its own, full of wondrous people, mythical creatures and performing animals.
To enquire about this picture, click HERE
Pastel and charcoal on paper, 109cm x 75cm (120cm x 85cm framed), £5,500
Difficult to categorise in any particular style or movement, his work is steeped in the knowledge of the great traditions of figurative art. An extraordinary draftsmen, his work exudes an inimitable style of its own, full of wondrous people, mythical creatures and performing animals.
To enquire about this picture, click HERE
Pastel and charcoal on the paper, 56cm x 76cm, (66cm x 85cm framed), £3,000
Difficult to categorise in any particular style or movement, his work is steeped in the knowledge of the great traditions of figurative art. An extraordinary draftsmen, his work exudes an inimitable style of its own, full of wondrous people, mythical creatures and performing animals.
To enquire about this picture, click HERE
Oil on paper, signed, titled and dated (verso), 92cm x 70cm (101cm x 79cm framed), £7,000
Difficult to categorise in any particular style or movement, his work is steeped in the knowledge of the great traditions of figurative art. An extraordinary draftsmen, whose work exudes an inimitable style of its own, full of wondrous people, mythical creatures and performing animals.
To enquire about this picture, click HERE
Acrylic on board, signed (lower left), 53cm x 38cm, (58cm x 43cm framed), £1,250
Cook graduated from Glasgow School of Art. After two traveling scholarships to Spain and Africa he focused primarily on indigenous subject matter. Many of his works are sourced from Latin American, African and European mythology and folklore.
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Acrylic on paper, signed (lower left), 84cm x 59cm, £1,950
Cook graduated from Glasgow School of Art. After two travelling scholarships to Spain and Africa he focused primarily on indigenous subject matter. Many of his works are sourced from Latin American, African and European mythology and folklore.
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Acrylic on paper, signed (lower left), 84cm x 59cm, £1,950
Cook graduated from Glasgow School of Art. After two traveling scholarships to Spain and Africa he focused primarily on indigenous subject matter. Many of his works are sourced from Latin American, African and European mythology and folklore.
To enquire about shipping costs click HERE
Etching, marked '7/60' (lower left) and signed (lower right), 39cm x 59cm (plate size), (framed 69cm x 89cm), £1,500
Born in the former British colony of Rhodesia, now Zimbabwe, in 1965 he emigrated to the United States, whilst retaining an abiding sense of his African and British origins in his work.
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Charcoal and tempura on paper, 128cm x 63cm, (136cm x 72cm framed), £1,950
Lakrisenko is a graduate of the St. Petersburg Academy, and although a contemporary artist, her work is very evocative of early 20th Century Russian art.
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Coloured pencil on paper, 132cm x 101cm, (142cm x 106cm framed), price on request
Bowen emigrated to Paris in the late 1960s, and remains working there in his studio in Montmartre. This drawing, is extraordinary in both its size and realist qualities.
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Coloured pencil on paper, 70cm x 96cm (76cm x 102cm framed), price on request
A realist artist of extraordinary talents, Bowen emigrated to Paris in the late 1960s, and remains working there in his studio in Montmartre.
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Oil on canvas, 130cm x 97cm, unframed, price on request
A realist artist of extraordinary talents, Bowen emigrated to Paris in the late 1960s, and remains working there in his studio in Montmartre.
To enquire about this picture, click HERE
Pencil on paper, signed and dated (verso), 40cm x 37cm, (50cm x 40cm in mount), unframed, £1,750
A realist artist of extraordinary talents, Bowen emigrated to Paris in the late 1960s, and remains working there in his studio in Montmartre.
To enquire about this picture, click HERE
Oil on canvas, signed and dated (lower right), 102cm x 102cm, (109cm x 109cm framed), SOLD
Feather was a member of the Liverpool Academy of Arts and the Newlyn Society of Artists. Paintings by Feather are in the public collections of the Royal Pavilion and the Walker Art Gallery. This painting is a contemporary take on the Neo-classical masterpiece ‘The Death of Marat’ by Jacques-Louis David (French 1748-1825).
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Acrylic on panel, 82cm x 62cm (118cm x 98cm framed), SOLD
Born in Newport, south Wales, in 1951, the early part of his career was as a choreographer and stage director. Turning away from theatre in the 90s, to concentrate on painting, he has been praised by critics in The Independent, Modern Painters and Art Review. Simon Callow has called him ‘one of the most individual and complete artists of our time'. Galleries has described his work as ‘reflective, expressive painting of the highest order.’ His work is included in numerous private and public collections, including the National Museum of Wales and the Pallant House Gallery
This painting is part of a series, in which the artist was inspired by the legend of St Hervé; a blind “boy-saint”, revered in Breton popular mythology, whose dog, his loyal guide, was devoured by a wolf. Paradoxically, the marauding wolf thereafter became Hervé’s new pair of eyes. A detailed explanation of his inspiration can be found HERE
To enquire about this work, click HERE
Acrylic on panel, 56cm x 61cm, (67cm x 77cm framed), SOLD
Born in Newport, south Wales, in 1951, the early part of his career was as a choreographer and stage director. Turning away from theatre in the 90s, to concentrate on painting, he has been praised by critics in The Independent, Modern Painters and Art Review. Simon Callow has called him ‘one of the most individual and complete artists of our time'. Galleries has described his work as ‘reflective, expressive painting of the highest order.’ His work is included in numerous private and public collections, including the National Museum of Wales and the Pallant House Gallery.
This painting is part of a series, in which the artist was inspired by the legend of St Hervé; a blind “boy-saint”, revered in Breton popular mythology, whose dog, his loyal guide, was devoured by a wolf. Paradoxically, the marauding wolf thereafter became Hervé’s new pair of eyes. A detailed explanation of his inspiration can be found HERE
To enquire about this work, click HERE